Red Barn at Sundown
by Jerry McElroy
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Not Specified x 16.000 inches
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Title
Red Barn at Sundown
Artist
Jerry McElroy
Medium
Photograph - Photograph
Description
A dramatic sky and low sun skims light off the side of this old barn in western Nebraska.
In the U.S., older barns were built from timbers hewn from trees on the farm and built as a log crib barn or timber frame, although stone barns were sometimes built in areas where stone was a cheaper building material. In the mid to late 19th century in the U.S. barn framing methods began to shift away from traditional timber framing to "truss framed" or "plank framed" buildings. Truss or plank framed barns reduced the number of timbers instead using dimensional lumber for the rafters, joists, and sometimes the trusses.[2] The joints began to become bolted or nailed instead of being mortised and tenoned. The inventor and patentee of the Jennings Barn claimed his design used less lumber, less work, less time, and less cost to build and were durable and provided more room for hay storage.[3] Mechanization on the farm, better transportation infrastructure, and new technology like a hay fork mounted on a track contributed to a need for larger, more open barns, sawmills using steam power could produce smaller pieces of lumber affordably, and machine cut nails were much less expensive than hand-made (wrought) nails. Concrete block began to be used for barns in the early 20th century in the U.S.[4]
Modern barns are more typically steel buildings. From about 1900 to 1940, many large dairy barns were built in northern USA. These commonly have gambrel or hip roofs to maximize the size of the hay loft above the dairy roof, and have become associated in the popular image of a dairy farm. The barns that were common to the wheatbelt held large numbers of pulling horses such as Clydesdales or Percherons. These large wooden barns, especially when filled with hay, could make spectacular fires that were usually total losses for the farmers. With the advent of balers it became possible to store hay and straw outdoors in stacks surrounded by a plowed fireguard. Many barns in the northern United States are painted barn red with a white trim. One possible reason for this is that ferric oxide, which is used to create red paint, was the cheapest and most readily available chemical for farmers in New England and nearby areas. Another possible reason is that ferric oxide acts a preservative[5] and so painting a barn with it would help to protect the structure.
With the popularity of tractors following World War II many barns were taken down or replaced with modern Quonset huts made of plywood or galvanized steel. Beef ranches and dairies began building smaller loftless barns often of Quonset huts or of steel walls on a treated wood frame (old telephone or power poles). By the 1960s it was found that cattle receive sufficient shelter from trees or wind fences (usually wooden slabs 20% open).
In older style barns, the upper area was used to store hay and sometimes grain. This is called the mow (rhymes with cow) or the hayloft. A large door at the top of the ends of the barn could be opened up so that hay could be put in the loft. The hay was hoisted into the barn by a system containing pulleys and a trolley that ran along a track attached to the top ridge of the barn. Trap doors in the floor allowed animal feed to be dropped into the mangers for the animals.
In New England it is common to find barns attached to the main farmhouse (connected farm architecture), allowing for chores to be done while sheltering the worker from the weather.
In the middle of the twentieth century the large broad roof of barns were sometimes painted with slogans in the United States. Most common of these were the 900 barns painted with ads for Rock City.
Uploaded
September 6th, 2008
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Comments (21)
John Malone
FANTASTIC PHOTOGRAPHY!! I absolutely marvel at the timeing, lighting balance,perfect exposure, the composition AND THE TALENT OF SEEING THE POSSIBILITES AND SKILLFULLY CAPTURING THE SHOT ....THATS TALENT and artistry combined! Love also the symmetry of the barn and the sun drawiing our eye right into the centre of the image and not letting us escape. It draws me right back into the scene. Skillfully identified by your artistic eye when setting up your composition. As a photographer and artist I myself know that the possibilities of any other shot are endless....but only a couple would or could equal that shot! V of course and F
Deborah Juodaitis
Hello Jerry : Very Beautiful image ! Very Nice. I will visit you please feel free to visit me! Congrats also on your sale!!!!!!!! My Best Regards to you !!!!!!!